Anthony: I mean, it certainly felt like a religious experience on stage with him without a doubt. John: For his album, We Are. , the name of that piece. You'll find lots of stuff on the wqxr.org website that Kelly was involved with during her time with the APL. The members of the Gateways Orchestra are heading back out on stage at Carnegie Hall. Gateways Music Festival is thrilled to announce that renowned Hollywood and symphony orchestra conductor Anthony Parnther will lead the Gateways Orchestra for its concerts in Rochester, NY and New York City, including the Orchestras Carnegie Hall debut! She is deeply grateful for the many . I just thought that it was so beautifully executed. Alex: All right. Jeff: Now on stage, Conductor Anthony Parnther, ready to lead the Gateways Music Festival Orchestra and the Symphony No.3 of American composer, Florence Price. It seems like there was a real intention behind the planning of this program today. Gateways Radio airs Friday evenings at 9 p.m. beginning on February 3. Leading the Hollywood Studio Symphony in recording sessions, he has conducted many international feature film and television projects including Star Wars: The Mandalorian, Tenet, Little, American Dad, The Hunt, Fargo, The Way Back, The Night Of, Ghostbusters: Afterlife, Encanto, Star Wars: Book of Boba Fett, and Ice Age: Adventures of Buck Wild. We had to really be on our feet, go with Jon wherever he decided to go at any given minute. The Gateways Music Festival Orchestra, making their debut today, taking their place alongside the Clef Club Orchestra and a lot of other great African American musicians in the illustrious history of Carnegie Hall. A Gateways Orchestra concert in New York City's famed Carnegie Hall will highlight the 2022 Gateways Music Festival, in association with Eastman School of Music, according to plans announced today. The Brahms to begin, and then the Variations on ". " John: Their conductor back out on stage, pointing out the different sections of the orchestra, thanking them for their performance on this program, and asking members of the ensemble to rise. All rights reserved. Thank you!!! Alex: Yes. I think that's really a significant thing that's happening right now in real-time. Gateways Music Festival Orchestra Anthony Parnther, conductor Jon Batiste, piano and composer. Jeff: It's wonderful to have you here. Jones and Johns are current musicians in the Gateways Music Festival orchestra and its members recorded themselves at home for WQXR to put together for a virtual from-home performance. I think it is very much Jon. It's complex because each section has so many different contrasting qualities. The final . I would love to see this orchestra record especially literature that has been under-recorded or not recorded at all by underrepresented composers. Jeff: From Carnegie Hall Live, the Symphony No. I think we rose to the occasion. It is interesting that you went to Mozart and Beethoven. Applause is for Anthony Parnther now taking center stage here at Carnegie Hall, and beginning this concert by the Gateways Music Festival Orchestra with this work by Brahms, his variations on, Music of Johannes Brahms begins this concert by the Gateways Music Festival Orchestra in their Carnegie Hall debut. Dmitri Berlinsky Dmitri Berlinsky is professor of violin and artist teacher at the MSU College of Music. We'll hear the third of her symphonies this afternoon, which was commissioned by the Works Progress Administration's Federal Music Project. A drum kit as well will be called for in this next piece by Jon Batiste, who is a Perspectives artist here at Carnegie Hall, which means he gets to oversee a whole series of events during this 2021-22 season. Before everyone dressed all in black, second half, everybody has a splash of color. The conclusion of seven days of performances in New York City. I think also really significant for us is this is the first time that the orchestra or the festival has toured, has branched out of being in one place. Bless the Michael Morgan. Gateways Music Festival is grateful to the following institutions for their generous support and belief in Gateways important mission. The performance was the first by an all-Black classical symphony orchestra in Carnegie Hall's history. Instead of a minuet or scherzo with trio you got a Juba. John: It is interesting that you went to Mozart and Beethoven. Now, Batiste on his feet, really not moving away from the piano, receiving the applause from this audience and passing it on to all the members of the Gateways Music Festival Orchestra, and a deep bow from everyone on the stage. I asked him what was it like to be at Carnegie Hall. Congratulations to you, Anthony Parnther, and to the Gateways Music Festival at an amazing week in New York in an amazing combination of this concert. I would love to see this orchestra record especially literature that has been under-recorded or not recorded at all by underrepresented composers. For details on event times, prices,and locations, call 232-6106 or visit gatewaysmusicfestival.org. It is his heart. Subscribe to Gateway Notes, the GFO Newsletter, and "Get the Know with the GFO"! She was part of the inaugural class of the Artist Propulsion Lab at WQXR. I think it's really interesting, Alex, that this idea that-- Representation, of course, is important, but this idea of the narrative of classical music is beyond race, is something universal. Jon Batiste & the Gateways Festival Orchestra. This concert is in fact part of his Perspectives series, but today's premier. I should have asked you that before this began, but I'll lay it on you anyway. About Eastman School of Music. He . She was part of the inaugural class of the Artist Propulsion Lab at WQXR. It is his heart. THE COOPER UNIONThe Great Hall Foundation Building 7 East 7th Street New York, NY 10003 Gateways Brass Collective, Gateways String Quartet, the Marian Anderson String Quartet and special guest artists perform in a joint concert featuring old and new-to-some chamber music repertoire. Bach to the Future will perform with the Gateway Festival Orchestra 7:30 PM, Sunday July 10, Washington University Brookings Quadrangle. Gateways is an all-Black classical symphony orchestra created in 1993 by concert pianist and educator Armenta Adams (Hummings) Dumisani. That was cemented well before I became involved. Gateways Music Festival in association with Eastman School of Music announced on Dec 7th that Anthony Parnther will lead the Gateways Music Festival Orchestra at its eagerly anticipated performances at Kodak Hall at Eastman Theatre (April 20) and the Orchestra's Carnegie Hall debut (April 24).Known for his "charismatic, captivating conducting" (Los Angeles Times), Parnther takes the . A very gala-feel to this event. Gateways Music Festival Orchestra (photo: Keith Bullis) Gateways Music Festival has received a substantial award of $800,000 from The Andrew W. Mellon Foundation. Applause is for Anthony Parnther now taking center stage here at Carnegie Hall, and beginning this concert by the Gateways Music Festival Orchestra with this work by Brahms, his variations on a Theme by Haydn. We should also mention Kelly Hall Tompkins, if that's a familiar name to our WQXR listeners, there's a good reason for that. The African cloth comes out and no two people look exactly the same. Jeff: That composition is also being given its first hearing in Carnegie Hall in this performance. "Oh, well this is classical music. She created Gateways. Founded in 1993, the Gateways Music Festival Orchestra celebrates the contributions of classical musicians of African descent, bringing together professionals from leading orchestras across the country to perform and inspire communities through the power of music. Listen Monday June 20 at 8 p.m. The concert features Jon Batiste, who just won five Grammys at this year's ceremony, including the highly-coveted title, "Album of the Year". We did that in Rochester also a couple of days ago when we presented this program minus the Batiste work. I wrote this poem in the summer of 2020. Jon Batiste in addition to being a pianist is also a Perspectives Artist here at Carnegie Hall. Jeff: He's having so many moments at one time, yes. World premiere, so a song and a kind of sweet for piano into orchestra all in one extraordinarily well-received performance here on the main stage at Carnegie Hall. Carnegie Hall Live is a co-production of WQXR and Carnegie Hall. Price, Corey Hunter, PhD*General admission. They're equally important to us. That's available to everyone. It would come up. The Gateways Music Festival Orchestra from Carnegie Hall Live. It's our national anthem. . Lauren Purcell Joiner, Christine Herskovits, Eileen Delahunty, and Max Fine. There are parts that are written out, and then, there are parts that he will improvise. It's a real challenge for us to in very limited rehearsal time with a lot of events going on simultaneously put together especially a program of this difficulty and variety together and lightning fast. I think we're really making some ground today in terms of that piece of it, in terms of, is this a space that celebrates and uplifts Black people, Black culture, not just Black performers. In addition to this, the festival includes 27 performances this week, chamber music, lectures, a screening of a film, panel discussions. This work that Jon Batiste is going to perform with the Gateways Music Festival Orchestra has that same kind of structure. It was wonderful to see you turn and conduct the audience in that final piece as well. That is as Lee Koonce told us again and again, that's one of the most important things that's happening here this afternoon. That'll be the next work on the program. Also particularly looking at it from the context of American orchestras. He was known for his warm spirit and as a visionary behind the Gateways Music Festival, an event celebrating classical musicians of African descent. That feels like the two-fold idea of Gateways too. Jeff: We'll hear the third of her symphonies this afternoon, which was commissioned by the Works Progress Administration's Federal Music Project. Last week I spoke to Carl Craig, who is one of the pioneers of the second wave of Detroit techno, who played here as part of Carnegie's Afrofuturism festival. In May of 1912 at Carnegie Hall, where the stage welcomed a large ensemble of African American musicians, the Clef Club Symphony Orchestra. WEDNESDAY, APRIL 20, 2022 | 7:30 PM The 120-member Gateways Music Festival Orchestra, whose distinguished players hail from the nation's foremost orchestras and conservatory faculties, is renowned for its bold sound, exciting interpretations and uncompromising pursuit of artistic excellence. Jeff: Congratulations to you, Anthony Parnther, and to the Gateways Music Festival at an amazing week in New York in an amazing combination of this concert. This is Carnegie Hall Live. That's available to everyone. She thought, "If a five-year-old kid sees the Gateways orchestra up there and that kid will say, You know what, I can play hip hop. Featuring five of Gateways most popular pianists performing works by Black and other composers. How was putting that piece together because it was put together pretty much in New York, I think? She's a person that no one really says no to. Jeff: This is going to be quite a wonderful world premiere and a big occasion. You'll receive the most up-to-date information about our musicians, venues and performances delivered right to your email inbox. Anthony Parnther, conductorAntoine T. Clark, assistant conductor, VIOLIN I Kelly Hall-Tompkins, concertmaster Cleveland A. Chandler Daniel Constant Caitlin Edwards Mellasenah Edwards Brendon Elliott Alex Gonzalez Mariana Green-Hill Marianne Henry Ashley Horne Amyr Joyner Kyle Lombard Jessica R. McJunkins Chelsea Sharpe Lionel Thomas Anyango Yarbo-Davenport, VIOLIN II Derek Reeves, principal Lucinda Ali-Landing Charlene Bishop Jeffrey Boga Dale Breidenthal David Burnett Nicole Cherry Frdrique Gnaman Bennie Harris Joshua Henderson Sarah E. Martin Phillip Payton Meredith Riley Booker Rowe, VIOLAJennifer Arnold, principalLeslie DeShazorAndrew FrancoisAshleigh GordonLinda GreenChristopher JenkinsCaroline JonesJaven LaraDeidra LawrenceAundrey MitchellYvonne SmithGeorge Taylor, CELLO Troy Stuart, principal Ifetayo Ali-Landing Cremaine Booker Eric Cooper Gordon Grubbs Joseph Hbert Timothy Holley Thapelo Masita Prudence McDaniel Derek Menchan James Ryan Murphy Wayne Smith, DOUBLE BASS Rick Robinson, principal William Johnson Kevin Mauldin Anthony Morris Jacqueline Pickett Patricia Silva Weitzel, FLUTE Judith Dines, principal Dennis Carter Jacqueline Cordova-Arrington Patricia Reeves, OBOE Titus Underwood, principal Hassan Anderson Sarrah Bushara Geoffrey Johnson, CLARINET Alexander Laing, principal Pamela Coats Robert Davis LeTriel White, BASSOONJoshua Elmore, principalAlexander DavisKai RockeMaya Stone, FRENCH HORN Larry Williams, principal David Dickerson Adedeji Ogunfolu Priscilla Rheinhart Jeffrey Scott, TRUMPET Herbert Smith, principal Javian Brabham Leonard Foy Courtney Jones, TROMBONE Burt Mason, principal Isrea Butler Timothy Robinson Martin McCain (Bass), PERCUSSION Ralph Barrett, principal Jauvon Gilliam Cleo Goldberg Don Johns Terry McKinney. Gateways For: STUDENTS ; FACULTY & STAFF; ALUMNI; PARENTS This work that Jon Batiste is going to perform with the Gateways Music Festival Orchestra has that same kind of structure. It's full orchestra and piano and just him. Because of limited seating capacity in the Hatch Hall, we urge you to get your tickets as soon as possible. 3 in C Minor and Sinfonia No. a series of exciting broadcast concerts drawing upon some of the finest live performances from Carnegie Halls stages over the past eleven years. It would come up. Michael Morgan, conductor. The orchestra comes together and you just dig into the music. Congratulations. This is going to be quite a wonderful world premiere and a big occasion. I should have asked you that before this began, but I'll lay it on you anyway. Exhausting, but exciting. The Gateways Music Festival Orchestra, most of them at least are leaving the stage. Jeff: Music of Johannes Brahms begins this concert by the Gateways Music Festival Orchestra in their Carnegie Hall debut. General Admission. Best known popularly in the world these days is the music director for The Late Show With Stephen Colbert. Enjoy the show. This is Carnegie Hall Live. Take care. It was a historic concert when the Gateways Music Festival Orchestra performed in Carnegie Hall. There are some elements of truth to that, but what's happening in a concert hall is not just a celebration of Brahms and Walker and Batiste and Price, but it's also a celebration of the audience. This concert is in fact part of his Perspectives series, but today's premier. Instead of a minuet or scherzo with trio you got a Juba. What's making the occasion even bigger is that they will be presenting a world premiere, a piece so new, the ink has barely dried on it. It takes active participation to do that. These and additional COVID-related policies can be found here. Special guest Denyce Graves, mezzo-soprano The mission of Gateways Music Festival is to connect and support professional classical musicians of African descent and enlighten and inspire communities through the power of performance. John: Another curtain call for Conductor Anthony Parnther. Adults: $15 | Seniors and Students: $10 | Children/Youth (Under 18): Free, STERN AUDITORIUM / PERELMAN STAGEAT CARNEGIE HALL57th Street and 7th AvenueNew York, NY, THE GATEWAYS ORCHESTRAAnthony Parnther, conductorJon Batiste, piano. The film screening and lecture are both free and open to the public, but tickets are required. 3 of Florence Price, performed by the Gateways Music Festival Orchestra conducted by Anthony Parnther in the orchestra's Carnegie Hall debut and he first time that work has ever been performed at Carnegie Hall, written in the 1930s with help from the federal government, the WPA program at that time, Florence Price created this Symphony No. Anthony: Lift Every Voice and Sing. Anthony: There's a significant difference between conducting full-time orchestras and in this orchestra of special musicians from all over the country who do not play together regularly, once every year, once every couple of years. I'd love to see this orchestra personally go on tour so that audiences outside of New York State have the privilege of witnessing the power and beauty of such a special ensemble. Of course, personally, I would love to see this orchestra come together more frequently. This is really, I think what Gateways does for us, in addition to bringing us together to make a joyful noise, in addition to bringing together a community that is often geographically separate but spiritually connected, it allows for an intellectual exchange that is captivating to us and we're finding to others as well. . Armenta Hummings Dumisani, I think the term force of nature was created for her. For 30 years, Gateway Music Festivals & Tours has led the music tour industry with seamless performance tours for choirs, orchestras, concert bands, jazz bands and marching bands. Anthony Parnther | Photo by Konstantin Golovchinsky. 3 by George Walkerthe first African-American Pulitzer Prize for Music Laureate and whose centennial falls in 2022. This place for musicians is key and essential and critical to the mission because most of our players work in environments where there are very, very, very few people, if any, who look like them. Follow me. Alex: Yes. We exist outside of space, time or this place." At least that's the case with her first, third, and fourth symphony. George Walker composed it in 2003. To Learn More, Click Here Rochester, NY | APRIL 18-20, 2022 Festival Piano Recital There is an improvisatory element to it. 3; Florence B. Prices Symphony No. That type of dance and the music that accompanied it was so important that Florence Price actually gave that name, Juba, to the third movement of all of her symphonies. I love the way this harkens back to the days of Mozart and Beethoven, who would also write works that contained a great deal of written music finished for the players but also places for them to improvise. The Orchestra made its stunning Carnegie Hall debut on April 24, 2022 as the first all-Black orchestra to be presented by the famed venue. Jeff: How was putting that piece together because it was put together pretty much in New York, I think? It's an incredibly exciting week for all of us. The concerts are free to attend. Michael Morgan, our late and beloved music director called Gateways family reunion with instruments and it feels just like that. The Brahms is a set of variations that are primarily based on toying around with the melody, but Walker toys around with interval and rhythm in a very particular way with a much more sense of harmony. We talked on Friday with Lee Koonce, the festival's president, and artistic director about exactly who it was, who started this whole Gateways thing, and what her vision has led to. The performance was the first by an all-Black classical symphony orchestra in Carnegie Hall's history. This performance is free and open to the public, but tickets are required. Not surprisingly, he will be the piano soloist in that piece. Jeff: Lauren Purcell Joiner, Christine Herskovits, Eileen Delahunty, and Max Fine. In 2015, Anthony was profiled by Los Angeles' KCET/TV as a "Local Hero" for his extensive community outreach and advocacy for the performance of works by Black, Latinx, and Women artists. The Gateways Music Festival is getting a substantial grant to continue its mission of supporting classical musicians of African descent. As you noticed, the audience responded in-hand to what they saw visual and it was just another extra element of all of these people on stage celebrating our heritage. Over the course of each six-day festival, the musicians give a full orchestral . Those 5 Grammy Award wins came on the heels of 11 Grammy nominations an almost unheard-of hall for one artist, including a nomination in the best classical composition category. We don't actually have a complete score for the second. We're delighted to welcome to the Carnegie Hall microphones, Alex Laing, who is the principal clarinet of the Gateways Music Festival Orchestra, and also with the Phoenix Symphony, and is an educator and a speaker around the country. John: It was wonderful to see you turn and conduct the audience in that final piece as well. It opens up all these realms of possibility. Congratulations. Gateways is receiving an $800,000 award from the. HATCH RECITAL HALLEastman School of Music433 East Main StreetRochester, New York. Right now, the stage door opens and back out to center stage here at Carnegie Hall, strides the conductor Anthony Parnther to lead this first performance at Carnegie Hall of George Walker's Sinfonia No. Recent performances include Los Angeles; Washington D.C.; Toronto; Danbury, Connecticut; and an eight-concert Midwest tour. She's never taken medication. This place for musicians is key and essential and critical to the mission because most of our players work in environments where there are very, very, very few people, if any, who look like them. Interesting that you went to Mozart and Beethoven and piano and just him Hall this. When the Gateways Orchestra are heading back out on stage with him without a doubt ; ll the! | APRIL 18-20, 2022 Festival piano Recital there is an improvisatory element to it and just.! 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